Αρχάγγελος Μιχαήλ , σχεδίαση και ζωγραφική

Learn advanced Byzantine painting techniques with this in-depth course, a natural progression from earlier lessons featuring figures like Saint Demetrius, Saint Polyxeni, and iconic frontal busts (Saint Polychronius, Christ). No prior painting experience is required!

This course builds upon foundational skills. We recommend starting with the egg tempera preparation lesson (available in another course on this platform, specifically focusing on Saint Demetrius's face) as it's essential for this technique.

The method emphasizes careful drawing without relying on photo copies or projectors. You'll learn detailed instructions and design principles to develop your drawing skills and avoid blindly copying other iconographers. Understanding and correcting design errors is a key focus.

The process then moves to preliminary layers (proplastmoi), applying colors to the surface, and finally, the actual icon painting.

You'll need acrylic paints or iconography pigments to create authentic egg tempera. Essential colors include: ochre, madder red, white, black, kinnamari, cadmium yellow (lemon yellow preferred), ultramarine blue (or cobalt), and green of cement.

Brushes are also necessary: short-bristled synthetic or chamois brushes in sizes 0, 1, 3, and 4; a larger brush (6-8) for applying preliminary layers; and a brush with long bristles (2).

Patience and meticulous attention to detail are crucial. The technique employed mirrors that of historical Byzantine masters, aligning more closely with the Cretan school of iconography than the Macedonian school.

Oil paints are not suitable for this method due to their slow drying time, which interferes with the layering process characteristic of Byzantine painting.

Feel free to ask any questions you may have! The surface size is flexible; we suggest starting with a relatively small area, such as 22x30 cm or 30x40 cm. This course is ideal for those seeking to master traditional iconography and develop a deeper understanding of Byzantine art.